Afraid - Book 06 - The Really Long Night

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Many of them have sudden endings.

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Scary Stories 3 continues with more detailed and sometimes complicated stories. The volume wraps up with a couple of mildly funny stories. All three books have detailed notes and bibliographies provided by the author. With just a few strokes and some shading, Gammell ups the scare level considerably. Tormented, skeletal faces, ragged clothes, distorted and indistinct figures, glowing eyes and teeth, empty chairs, empty baskets, empty clothes The Scary Stories Treasury i s highly recommended to libraries and readers who do not already own copies of the Scary Stories books, and recommended as a reference volume for school and public libraries.

Appropriate, based on maturity of the reader, for grades 4 and up. Contains: Violence, gore, cannibalism, deception, the occult, witchcraft, murder.

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Review by Kirsten Kowalewski. Adam Gidwitz connects several of the stories from the Grimm Brothers and original content by following two children with very familiar names- Hansel and Gretel- on a winding, terrifying journey. While some of these stories will seem familiar, and there are predictable elements, there are still plenty of surprises along the way. Most of them are interesting and fun, and blend well into the original tale. Parents may want to read ahead.

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Gidwitz shows obvious enthusiasm for these stories as both a reader and as a storyteller and teacher who has thought about and seen for himself the impact these stories have on children. Grades It shows the magical equipment that will be needed before approaching a dragon, along with what is required once the dragon accepts the young girl or boy as an apprentice. Each type of dragon is carefully examined to let the young apprentice know what to look out for and what not to do.

This guide is a well thought out book about dragons that is presented almost like an enlistment guide for a dragon academy, told from they Dungeons and Dragons mythology standpoint. I could easily see this book being handed out to prospective Dragon Riders a generation or two before the story of Eragon was written. It reads like a factual textbook, though far more interesting.

Twelve questions are asked and the results are presented on the next page where the child can see which dragon best fits him or her. Finally, each page is loaded with artwork that is sure to interest anyone who loves to look at dragons. This book covers almost everything a young monster-hunting wizard might need to know before going out on a weekend of adventure.

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It tells what supplies the young wizard will need and gives detailed instructions on how to make things like staffs, wands, potions, clothing and backpacks. Helpful camping tips are also provided for when the young wizard finds himself in the outdoors or in a dungeon. Not only are tips provided, but also detailed instructions are given as to how to create a lamp, put together a campsite, finding food, avoiding traps and navigating.

Rotruck has done an excellent job of putting together one of the most entertaining instructional books I have yet seen. Not only are the activities illustrated, but the book is packed with original illustrations and images pulled from the later editions of the Dungeons and Dragons rule books. Availability: New and Used In. Can Derek and Ravine help Abigail before something truly awful happens to her? Or to them? Those who read and loved the first book will definitely like this one, too. Special note for series readers: I recommend reading this series in order.

Review by Stacey L. Jitterbug Jam practically begs to be read aloud. It succeeds on its own merits- the illustrations, and even the physical book, take a backseat to the narrative. The illustrations and design of the book are absolutely worth exploring, though. Using a variety of styles, Alexis Deacon creates a vision of a monster world that will suck the reader right in.

Background colors are muted grays, yellows, browns, and greens.


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The monsters would blend in, too, without the heavy lines that separate them from their surroundings, and their clothes, which pop out with color. The placement of the words and illustrations on each page accentuate the narrative. For example, the illustration on the first page is a small picture of our narrator, Bobo, surrounded by empty space.

Speech balloons provide an informal approach to dialogue that will be familiar to those comfortable with a graphic format as well. Jitterbug Jam is the story of a little monster hiding from the boy under his bed. Evin is a mischievous young man living in a small village who dreams of excitement and adventure. He and his friend Jorick soon find more adventure than they bargained for when gnolls ransack their village and kidnap everyone. Nothing is what it seems, as friends become strangers, and enemies become allies.

Monster Slayers is a book for young readers.


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  6. There is a purpose in the shallowness though, one that should catch the reader by surprise as the plot twists and morphs into surprisingly good story. The author does a fine job of creating creatures that the young reader will easily be able to visualize. Older readers who are fond of their Dungeons and Dragons days will remember those times as they see the rogue in Evin, the fighter in Jorick and the magic-user in Bet. Read it! They have had a lot of fun looking at the pictures, hearing the story, and chanting the words, though. The customer appears to float, rather than walk, and then he inserts a straw into one of the books and begins to suck on it!

    Once he notices the boy, the customer makes an abrupt exit, and when the boy discovers that the words have been sucked right off the pages, he quickly gives chase. Venturing into the cemetery, the boy realizes he has encountered a vampire! Luckily, the vampire, named Draculink, has developed an allergy to blood, and the only food he can digest is ink, sucked from the pages of a book.


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    7. Of course, Draculink's inability to drink blood doesn't stop his urge to bite, and he turns the boy into an ink drinker as well, inspiring an ironic, insatiable desire for books. This darkly funny early chapter book will be a favorite of any teacher, librarian, or parent who has ever tried to reach a child who dislikes reading, and the fast moving plot, believable voice, humor, and mild scariness will appeal to many reluctant readers.

      It's a perfect short read-aloud for a younger child who has developed an attention span for longer stories than those found in picture books, and the first book that, between the action-packed story and evocative illustrations, actually created a physical reaction in my son- he ran around with his tongue sticking out, demanding a straw, for at least an hour, and begged to hear the story again. If you can find a copy, The Ink Drinker is a must have for any library collection and nearly any reader. Highly recommended for all libraries. The Fox River flows for miles through Wisconsin and Illinois, and when Donna Latham announced that she was writing and collecting ghost stories from the surrounding towns, area residents reached out to share their tales.

      Others, like "Another Cup for Willa", about a woman who is visited by the ghostly presence of a dead friend on her birthday, are personal recollections. Often the two seem to overlap. The first story, "The Train Track Ghosts" is one of these. The storyteller's voice is so vivid that you can almost see him sitting on the author's porch, but underneath the trappings of the tale he tells is a recognizable urban legend. The quality of the stories vary. Others feel awkward- although the plotting is good, the author frequently uses complex vocabulary, and her attempts at dialogue and writing in dialect often seem forced.

      Latham also chose to illustrate her book with a strange and cluttered collection of clip art, which is distracting and interrupts the flow of her stories.

      However, she does a good job of fitting in local history and background without overwhelming the narrative, a difficult thing to do, and does a nice job at establishing the setting for her stories, so she accomplishes what she set out to do rather well. While Ghosts of the Fox River Valley is an interesting read, there isn't enough new material here to recommend it for all libraries. However, public and school libraries and local history buffs in the area Latham describes in her book ought to take a look.

      In particular, school libraries and upper elementary or middle school teachers may want to consider it in connection with teaching to social studies standards that focus on local history and language arts standards focused on speaking, listening, and writing, as Ghosts of the Fox River Valley is a good resource for beginning an oral history project. Beyond possible uses in the classroom, the same kids who love Alvin Schwartz's Scary Stories books will love having ghost stories set in their area available to them.

      Recommended to public and school libraries and local history collections in the area of the Fox River Valley. The Nose by Nikolai Gogol , ill. It's not just any nose, either, it is the nose of one of his customers, a self-important bureaucrat named Kovaliov. Terrified to leave the nose where it can be connected to him, Yankelovich sets off to hide it, but his furtive behavior attracts official attention. In the meantime, Kovaliov wakes up to discover he has no nose.

      Covering his face with a handkerchief, he starts down the street, where he spots his nose, dressed as a fine gentleman and high official.

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      Kovaliov hesitates to approach a social superior, even a former appendage, but he wants his nose back and confronts the nose, who denies any connection with him. Eventually a police officer returns the nose confiscated from Yankelovich, but it won't stick to Kovaliov's face!

      Kovaliov is unable to show his face in public without ridicule, shutting down his social ambitions, as the nose-posing-as-officer has become a sensation. Then one day Kovaliov wakes up to find the nose back on his face, firmly attached. Anyone looking for logic or narrative structure in The Nose will be disappointed. The pieces don't fit together neatly It is nightmarish in some ways- finding a nose in his breakfast must have been pretty stomach-churning for Yankelovich, and when he abruptly disappears from the story the imagination finds ominous ways to fill in the blanks.

      Gogol is an important figure in Russian literature, with a talent for the surreal who wrote in a different time and a different context, and he wasn't writing for children. The setting, names, and characters may seem alien to many children, the vocabulary is advanced, and the social satire will probably fly over kids' heads. But when it comes down to it, this is one giant, horrifying, absurd joke about a nose, and kids definitely get that. Reading it out loud, it is almost impossible not to at least giggle.

      Gennadij Spirin's illustrations will make certain that kids get the joke. Many pages are framed with incredibly detailed drawings of St.